It’s not too late to fulfil your creative dreams – take it from Sylvia

Are you craving a creative life, but fear it’s too late?

Here’s some inspiration.  

In mid-November, 96-year-old Sylvia Kerckhoff, former Mayor of Durham,  North Carolina, USA, will perform a two-minute monologue for Way Off Broadway, a drama group at The Forest at Duke retirement community in Durham, where she lives.

“Sylvia does one terrific job when you hand her a script in large type,” Way Off Broadway director Rosemary Kitchin said.

And here she is, delivering the monologue!

Sylvia, is proof that it’s never too late to start – or restart – your creative life.

Here’s further proof, closer to home.

The Acting Out Troupe, a community theatre group in Mt Barker, South Australia, comprised mostly of older women, will premiere Breaking Up is Hard to Do, a new short play about book clubs on November 26 and 27, as part of its show, Bookish, a humorous look at libraries, librarians and book clubs.

I’m proud to say I wrote Quite a Sensation, the monologue Sylvia will read, and the book club play Breaking Up is Hard to Do that the Acting Out Troupe will perform.

The play (which is no reflection on any book club I’ve been in, where everyone was lovely) was commissioned by Acting Out Troupe director Anne Marie Serrano, The monologue was inspired by an older woman who is anti-graffiti advocate in my town.

Read BREAKING UP IS HARD TO DO here

One of the fun parts of my own creative life is to provide 10 FREE short plays for people of all ages and more than 50 FREE contemporary monologues for older female actors, directors and drama students who want to enter or re-enter the world of theatre.

The plays and monologues are available free on my website on the condition that users credit me, let me know how and when the work will be performed and send photos and feedback.  

In the three years since I made them available, these have been performed in 47 places around the world – including the USA, UK, Canada, Ireland, New Zealand and Australia.

Most recently, permission has been sought from performers from all walks of life in Canada, Florida, Merseyside (UK) and Auckland NZ.

And Members Only, my most popular short play, which has been performed nine times in the USA, New Zealand and Australia by actors young and old, will have its 10th production at Virginia Wesleyan University in the USA on November 23.

To keep track of where my work goes, I plot them on a map through PinMaps, a custom map creator to pin multiple locations. Here’s a screenshot to give you an idea of what it looks like:

Many of the monologues are written particularly for older women, who often struggle to find relevant material.

As English actress Geraldine James, who played Queen Mary in Downton Abbey, told The Guardian on 16 August:  “Diversity goes in every direction.”We’ve got to keep creating roles for older actresses, because we do represent more and more of society.” 

However, the current fashion for age-blind casting can also provide opportunities, as James found when she made her debut at the Royal Shakespeare Company two years ago as Rosalind in As You Like It at the age of 72.

https://www.dailymail.co.uk/femail/article-13746313/age-blind-casting-geraldine-james-imelda-staunton-theatre-trend.html

The late Maggie Smith, who died this year on September 30, was a huge inspiration for older women in the theatre.

She was perhaps even better known for her later work as an older actor, with such roles as the Dowager Countess Violet Crawley in Downton Abbey, and Miss Shepherd in The Lady with the Van, where she excelled.

It gives me great pleasure to write for older women in particular, who bring such rich life- experience to their work, and I’m always excited when I receive an email from someone who has found my work and wants to perform it.

Making a living in the theatre is always a struggle, made more so since Covid, and this is my way of helping. It also provides me with an opportunity to showcase my work, to learn and improve, and to be part of a worldwide community.

I have other work that is licensed with agents and for which I receive royalties (FULL LENGTH and ONE ACT plays) when they are produced.

Check out my other monologues here.

(Want to suggest a topic? Contact me here).

For more inspiration about discovering your creativity in later life, read the story of UK actor Liz Jones, featured on the blog Late Bloomers, which champions late-bloomers of all genders and artistic persuasions. Late Bloomers is the initiative of Debra Eve – a late bloomer herself.

https://laterbloomer.com/liz-smith/

And for more about the amazing Sylvia Kerckhoff, click here:

http://andjusticeforall.dconc.gov/gallery_images/sylvia-kerckhoff-city-council-member-and-mayor-of-durham/

https://whoswhoofprofessionalwomen.com/tag/sylvia-kerckhoff/

Are you a late bloomer? Tell me your story in the comments below.

Six NEW, FREE monologues for older women actors

Here are six new FREE monologues on contemporary issues for women over 40.

They are available for FREE for actors, directors and drama teachers anywhere in the world – on the condition that you let me know when, where and how they will be used and send photos and feedback.

Love it, but need it shorter? Contact me and I will create a one minute or 90-second version.

  1. GREY (Two minutes) – SYLVIA, 60s + sits on a park bench, unnoticed, watching a group of young girls. Who is she talking to? The only person who will listen – herself.
  2. HAPPY MEDIUM (Three minutes) – KAYE, 40s+, tells a stranger across the table at the airport about her visit to a medium.
  3. NORMAL (Three minutes) – NORMA, 40s+, tells her friend Judy about her irregular visit to a café.
  4. OLD LOVERS (90 seconds) – LYNETTE, 50s+ is browsing through and old photo album.
  5. PAY DAY (Two minutes) – AUDREY, 40+, asks her boss for a pay rise.
  6. THE TIME TRAVELLER (Three minutes) – CONSTANCE, 60+ is telling her friend about a recent lunch date.

I have other work that is licensed with agents and for which I receive royalties (FULL LENGTH and ONE ACT plays) when they are produced, but I make these short works free as my way of reducing barriers for women in the theatre and, and as a way of getting my work performed.

Since I first made them available in June 2021, my monologues have been performed in 45 places around the world.

Check out my other monologues here.

They are inspired by my own experiences, the women in my life, women I meet and those in the news. (Want to suggest a topic? Contact me here).

It’s an honor to have women who have lived full and rich lives bring that richness and fullness to my work. I always learn from your feedback.

So, please dive in – rummage around my site. There are more than 50 FREE monologues waiting for you to rekindle or start your career in the theatre.

Want to suggest a topic? Contact me here:

Looking for inspiration: Check out this excellent blog from US-musical theatre-maker Lauren Mayer, published on Maestra in 2022,  titled Can you still be “emerging” in your 60s? Life as an Older Woman in the Theatre – https://maestramusic.org/blog/can-you-still-be-emerging-in-your-60s/   

The answer, of course, is “Yes, you can!”

Print version of CLEAVED out on 31 July 2024

https://www.northernbooks.com.au/janecafarella

Good news! The print version of my memoir, CLEAVED – A story of loss, legs and finding family, will be available from Amazon and all other outlets from 31 July 2024, RRP $34.99(AUD).

The PDF version of CLEAVED will still be available on this website for $3.99 (AUD) for those who prefer to read on their devices. The PDF version can be downloaded to your computer or other device. (Make sure you move it out of downloads to a file of your choice. Email me if you have trouble.)

Either way, you’ll be helping people with lymphatic disease, as $1 from each purchase will be donated to the USA-based Lymphatic Research and Education Network (LE&RN), the world’s leading organization for research into lymphatic disease.

CLEAVED is the story of me and my sister Juliana, and how we grew up under the same roof, each cleaved to a different parent, foot soldiers in the family war.

The situation was normal, even if I wasn’t. “Just tell them you were born that way,” my mother said when I was taunted at school for having one fat and one skinny leg.

There was no name for my “big leg”, as my mother called it, and no cure, so it was largely ignored, subsumed by the bigger family problems.

The mysterious swelling disease was later diagnosed as Milroy’s disease, a rare genetic form of lymphoedema.

The emotional cleaving became physical when our parents separated when Juliana was 18 and I was 17. I went with Mum and she went with Dad.

Six months later, an explosive discovery blew my mother and me away from my sister and the rest of the family for decades.

“They got the wrong ones. You’re like Dad,” Juliana said when we finally met again 21 years later.

A coming-of-age story and a mystery, CLEAVED is a tale of tender and fraught reunions and partings, and of how my sister and I lost and then found each other.

If you’re in Castlemaine in Central Victoria on 31 July join me for the official launch of the print version at the Tap Room, at The Mill, 9 Walker St.

I’ll be in conversation with Alisoun Downing, friend, neighbour, literature lover and English Language teacher.  I’m hoping my sister Juliana will also join me. She’s been unwell, so fingers crossed she recovers by then.

Want to order a signed copy of CLEAVED direct from me? Contact me at jane.cafarella@gmail.com. (Postage $12). I’m also happy to speak to your book club, in person or via Zoom.

See Book Club discussion questions here:https://janecafarella.com.au/blog/

CLICK BELOW FOR THE PDF VERSION OF CLEAVED

How to download:

  1. Click the download button above and follow the prompts to pay.
  2. Check your email (and spam) for your receipt.
  3. Click the word “download” on the receipt.
  4. The PDF will appear in your “downloads” file on your computer.
  5. Save it to the file of your choice – e.g. documents. If you leave it in “downloads”, when you open it again, it will regard it as another download and ask you to pay, as there is a download limit of one copy per purchase. If this happens, don’t pay again! Email me at jane.cafarella@gmail.com and I will help you.

CLEAVED in The Weekend Australian

The benefits of paying it forward

CLEAVED in The Weekend Australian

Thank you everyone for your great response to the two excerpts from my memoir CLEAVED – A story of loss legs and finding family that were published in the Arts section of The Weekend Australian on April 13.

 In the past week I’ve been overwhelmed. (Nearly 100 downloads!)

My gratitude to Literary Editor Caroline Overington for giving CLEAVED such a generous run and to readers for their warm responses.

I can’t put it down. It’s warm, honest, brilliant…‘ – Jan Harkin, Melbourne

THE STORY

THE STORY

The only family photo of us all together – with, typically, me on the left with Mum, and Juliana with Dad.

CLEAVED is the story of my sister Juliana and me, foot soldiers in the family war, each cleaved to a different parent from birth – and of the shocking betrayal that blew me and my mother apart from the rest of the family for decades.

It’s also the story resilience, a unique account of growing up with Milroy’s Disease, a rare genetic form of the progressive and incurable swelling disease that meant my right leg was a perfectly proportioned bigger version of my left.

There was no cure and no name for it so it was largely ignored. “Just tell them you were born that way,” my mother said, when I was taunted at school.

My leg problem was always secondary to the bigger family drama of family estrangement. The situation was normal even if I wasn’t.

Cleaved is a coming-of-age story, a story of forgiveness and compassion, both a tragedy and a triumph – and one which reader’s love. Perfect for Book Clubs.

See Book Club discussion questions here:https://janecafarella.com.au/blog/

Cleaved is available as PDF download here:

How to download:

  1. Click the download button above and follow the prompts to pay.
  2. Check your email (and spam) for your receipt.
  3. Click the word “download” on the receipt.
  4. The PDF will appear in your “downloads” file on your computer.
  5. Save it to the file of your choice – e.g. documents. If you leave it in “downloads”, when you open it again, it will regard it as another download and ask you to pay, as there is a download limit of one copy per purchase. If this happens, don’t pay again! Email me at jane.cafarella@gmail.com and I will help you.

REGISTER YOUR INTEREST FOR THE PRINT VERSION

I’ve had some inquiries about a print version, so I’m exploring options for this.

If you are interested in buying a print version of CLEAVED please register your interest by emailing me at jane.cafarella@gmail.com with the word YES in the subject line.

Of course, you’re welcome to comment further in the body of the email if you wish.

What readers like you are saying about CLEAVED:

I have just finished reading your book. Beautifully written… I loved the ending. It was a story of forgiveness. Of course I am crying as I write this note. My heart has been deeply touched by your story.Eileen Dieleson, Perth, Western Australia

I practically inhaled your book – I found it such a fascinating story, beautifully written. Thank you to you and Juliana for sharing so generously and openly. – Jane Haley, Hobart, Tasmania

…I am transfixed. I think it might reach into my heart. I can’t put it down – Marie McNamara, Newstead, Victoria

Fabulous!….Reluctantly putting your book aside to help with dinner – Denise Wheelan, Castlemaine, Victoria

 Shamefully, I’ve been lying around all day finishing it, cause I couldn’t put it down– Suzanne Walshe, Maldon, Victoria

 …an incredible story. Beautifully written, … Personally, I found it hard to put down… – Bronnie Dean, Harcourt, Victoria

…a courageous search for a truth that reads like a compelling mystery. – Angela Ryan, South Melbourne, Victoria

Have your read CLEAVED? Would you like to comment? Send your review here jane.cafarella@gmail.com  or post on The ABC Facebook Book Club or Goodreads.

How making your work free can bring priceless connections

The amazing benefits of paying it forward

The benefits of paying it forward

Dramatic lighting is effective in the final scene of Members Only at Butler University, directed by Hannah Luciani, with Ashley Robbins as the Concierge, Jess Rullo as Karen and Maselli Desantis as Gabriel.

One of the big problems about being a writer is isolation.  Unlike playing music or acting, writing is a solitary activity. 

Even if you work in a café, as I often do, people are cautious about interrupting – or in my case, scared off by my intense look of scowling concentration.

But in the past 18 months,  I’ve unintentionally found one simple solution to writer isolation – making some of my work free.

Since October 2022, when I first took the paywall off my website for my short plays and monologues, my work has been performed in 29 locations around the world – mostly by emerging actors and directors in the USA, the UK, Canada, Ireland and Australia. (I use Pinmaps, an online interactive map service, to keep track of where it all goes.)

The only condition for use is that people let me know when, where and how my work will be used and send photos and feedback.

Members Only, my most popular free short play – about a woman who makes it to the pearly gates, only to find she doesn’t know the password – has been performed in Mt Barker, South Australia, and in the USA in Oregon, Wisconsin, Indiana and Arkansas, with performances in Texas and in the Huon Valley in Hobart, Tasmania next month. 

Members Only has also been submitted for a New Director Workshop, in Virginia (USA) along with three other short plays that are available for free on my website.

What I receive in return is priceless – connection with emerging and established actors, and directors – young and old – all over the world, and the satisfaction that I’m helping other artists grow and learn.

The actors and directors who use my free short plays and monologues mostly aren’t professionals. Mostly, they are female actors who are emerging, or re-emerging, or drama teachers and students.

Hannah Luciana, a junior theatre major at Butler University in Indianapolis, Indiana, who directed Members Only in December 2023 for her final project in her directing class, said: “I loved the humour and characters and felt it would be a great way for me to grow as student learning directing.”

The purpose of the project was to practise casting, learn how to conduct rehearsals, interpret the text and then showcase the work to fellow students and the faculty in a free presentation at the end of the semester.

“In total honesty, directing this show was such a positive and educational experience for me! I loved the comedic aspects, of course, but also loved connecting them with the tangible aspects of religious figures and ideas – it gave the cast and myself material to build from which was great for our short time frame,” Hannah said.

The opening scene of Members Only, produced by Emily Golden at Bismarck High School, Arkansas, showing Karen, arriving at the pearly gates, to find the Concierge, who is the gatekeeper.

Anne Marie Serano, Artistic Director at Acting Out Troupe in Mt Barker, South Australia, was looking for  material for the inaugural performance for a newly formed theatre group, which began with just six “senior ladies who got together and decided they wanted to have fun”.  

They chose Members Only as part of their first show, titled Senior Moments, performed in the Mt Barker library to a sold-out audience last November, followed by an encore performance in December.  

Anne Marie, who has a Masters degrees in Social Work and Drama, said the group would now expand to include general community members “not just older ladies”.

“I was very active in the community theatre in the US. Since coming to Australia  it has taken me 12 years to find my place in an acting/directing capacity. Being a part of the conception and the building of the Acting Out Troupe has been so rewarding. I finally feel totally at home in Australia. The members of this Troupe are warm, friendly and inviting. This has truly been a milestone in my personal and professional life.”

And mine.

When Acting Out Secretary, Pat Pearson, (who played Gabriel in the play), came to visit me in Castlemaine last month, she had a  list of questions about the play, which helped me improve it. (See the tweaked version here, with my other free short plays: https://janecafarella.com.au/ten-minute-plays/)

Gabriel, who appears with a trumpet, is the most popular character in Members Only.

Emily Golden, a sponsor of the drama club at Bismarck High School in Arkansas, which produced the play for a short play festival in December 2023, said: “It was an audience favourite, for sure. Everyone loved our Gabriel as well. We had him enter with a trumpet and play terribly, so everyone loved it.”

Here’s a great photo of Pat Pearson as Gabriel, also playing badly, in the Acting Out Troupe debut. (Scroll down for another great interpretation of Gabriel – Maselli Desantis  in the Butler University Production in Arkansas.)

Pat Pearson blows her own trumpet as Gabriel in Acting Out Troupes’ production Senior Moments, in Mt Barker, South Australia, directed by Anne Marie Serano.

I understand the importance of artists being paid for their work. I have two full length plays, a musical and a one act comedy which are licensed with agents, and for which I receive royalties when they are produced.

Uked! –the first play-along ukulele musical, which had two sell-out seasons in Central Victoria, Australia in 2019, will be produced by Libretto Productions in Auckland, New Zealand, in August 2024, and Supersnout, my one-act comedy about a talking dog, will be produced in May by the Lithgow Theatre Company in New South Wales, and by the Kegworth Players in Derby, in the UK.   Supersnout has previously been performed in Melbourne, (Victoria) Toodjay (WA), Aberdeen, (Scotland) and Stratford Upon Avon (UK).

But if, like me, you are in the later part of your career, and you can afford to pay it forward, there are enormous rewards in making some of your work free for those who will benefit.

Acting Out Troupe’s media officer, Lynn Bonython sums it up perfectly: “It’s about connecting with audiences and sharing our human experience.”

Maselli Desantis as Gabriel in the Butler University production of Members Only in Arkansas, USA