Award-winning film director Nadia Tass has done a masterful job bringing a big human drama to a tiny stage – Juanita Phillips, Stage Whispers
Sydney has embraced the Ensemble Theatre’s production of e-baby, which brings one of the hottest issues of our times – surrogacy – to the stage.
Previews began on October 13, with opening night on October 19 and since then the show has left audience members and reviewers laughing, crying and raving.
Gretel Killeen tweeted on October 20: “Big bravi to all involved with e-baby @ensemblesydney. Fab writing by @jane_cafarella & wonderful acting and directing. Definitely a must see.”
Juanita Phillips, reviewing for Stage Whispers, said: “At times, e-baby is raw and harrowing, and the emotional highs and lows continue right to the end. The final scene is like being slapped in the face, then hugged. I left with tears in my eyes.”
Read the full review here:
John Rozentals, reviewing for Oz baby boomers, wrote: “Director Nadia Tass’s choice of Danielle Carter and Gabrielle Scawthorn to play out this contemporary and poignant two-hander was inspired.
“Carter is spot-on as Catherine, the successful, humourless, formality-driven London-based Australian lawyer who desperately wants the child she can’t carry herself.
“Scawthorn plays perfectly the role of Nellie, the young Massachusetts woman who accepts cash payment to carry Catherine’s child…”
Full review: http://ozbabyboomers.com.au/new_site/theatre/2016/10_16/e-baby/e-baby.html
Fiona Cameron in The Music, wrote:
“E-Baby is a very rare theatrical beast: a two-handed play by women, starring women and about issues that affect women viscerally. Indeed, another such production doesn’t readily spring to mind.
“This play offers great writing by Jane Cafarella, brought to life by two powerhouse actresses, Danielle Carter and Gabrielle Scawthorn, led by another outstanding woman, director Nadia Tass.”
Susanne Gervay, reviewing for the Society of Women Writers NSW Inc, wrote: “Nellie (Gabrielle Scawthorn), with emotions swirling is wonderful as the surrogate for Catherine (Danielle Carter) the fraught, corporate woman crushed by her inability to have a child. It is a bitter-sweet, funny, sad, real play of women.”
Full review: https://www.facebook.com/The-Society-of-Women-Writers-NSW-Inc-1491708781046746/?hc_ref=PAGES_TIMELINE
Kevin Jackson, in Kevin Jackson’s Theatre Diary, wrote: “It is the performances by Ms Carter and Ms Scawthorn that are so personably secure, so empathetically contrasted, drawn with humour as well as head-butting ideological battlements that, essentially, keeps at bay too much carping about the relative suspense-comedy that we are given.
“The actors are a disarming and charming coupling. They draw us irresistibly into the situation that the Playwright and Director offers and, cumulatively, one is well satisfied with an entertainment that is cathartic as well as, lightly, educational….I had a very satisfying experience. I recommend the journey.”
Jason Blake, reviewing in the Sydney Morning Herald, wrote: “… interest is sustained by two solidly written characters, the inbuilt tension provided by a ticking gestational clock, and by Nellie’s streak of wry humour.”
Audience members have also been posting on the Ensemble Theatre Facebook page.
Here’s a selection:
I laughed and cried a lot. It was totally amazing! Thank you. – Tom Browell
Brilliant acting, funny and fraught. Thoroughly enjoyed e-baby. – Libby Doolan
I saw this yesterday. It is one of the best dramatic plays I’ve seen for sometime. Great writing on a very topical subject touching on all aspects that challenge us. Fabulous casting and acting. I hope more people get inspired to see it. – Maria Anning
It’s a beautifully nuanced play – compelling and real. – Sue Murray
Saw it. Loved it. Go see it. – Tessa Olive
For more comments, or to add your own, go to https://www.facebook.com/ensemblesydney/
e-baby is at the Ensemble Theatre until November 13. Don’t miss it!
My grateful thanks to Mark Kilmurry, Artistic Director at The Ensemble Theatre, for his support and faith in my play, to the wonderful Nadia Tass for her direction and dramaturgy, support and passion, to the amazing cast Danielle Carter and Gabrielle Scawthorn for bringing Catherine and Nellie to life so beautifully, and to the talented and dedicated team at the Ensemble who worked tirelessly behind the scenes to create such a wonderful production, and finally to the audience members who took the trouble to give feedback and spread the word. – Jane Cafarella
e-baby premiered in Melbourne at Chapel Off Chapel in March 2015 with direction and dramaturgy by Anna McCrossin-Owen.
It will have its Tasmanian premiere at The Tasmanian Theatre Company in Hobart in March 2017, co-directed by Anne Cordiner and Julie Waddington, and starring Jane Longhurst as Catherine and Katie Robertson as Nellie.
More about our fabulous Sydney cast:
Danielle Carter, a NIDA graduate, has appeared in many plays for The Ensemble, most recently My Zinc Bed, by David Hare. She has also appeared in plays at The Sydney Theatre Company, and her many TV credits include All Saints, Neighbours, Blue Heelers, and Under Belly.
Gabrielle Scawthorn is also a NIDA graduate and appeared at The Ensemble earlier this year in Blood Bank, by Christopher Harley. Her TV credits include Dr Blake Mysteries (ABC) and Fresh Blood (ABC).
Nadia Tass is one of Australia’s most acclaimed and awarded theatre and film directors. In 2014, she was awarded the Screen Leader Award for Outstanding Leadership, Achievement and Service to the Screen Industry.
Tass made her directorial name with the hit film Malcolm, starring a young Colin Friels, and these days combines both film and theatre directing in Australia and overseas.
She has directed numerous plays, including The Lion, the Witch and the Wardrobe, in 2001/2, for which she was nominated for Best Direction for a Musical in the 2003 Helpmann awards.
In 2015, she directed Annie Baker’s Pulitzer Prize-winning play, The Flick, for a return season for Red Stitch Theatre, to critical acclaim, and most recently she directed another Pulitzer Prize-winning play, Disgraced, by Ayad Akhtar, for Melbourne Theatre Company, receiving five-star reviews.
e-baby is the first play that Tass has directed for The Ensemble.
Production design for Sydney premiere by Tobiyah Stone Feller with lighting design by Nicholas Higgins and AV design by Christopher Page.
e-baby in London!
Rave reviews for London rehearsed reading of e-baby on 14 July 2015
We laughed and cried and I would like to see it have a future life here…
– Sarah Berger, Artistic Director and Founder, The So and So Arts Club
From left: Kat Rogers, Pamela Shermann and Becky Hands-Wicks
A rehearsed reading of e-baby at the So and So Arts Club at 6 Fredericks Place, London on Tuesday July 14 received a fantastic response.
The reading was directed by Pamela Shermann and starred Kat Rogers as Catherine and Becky Hands-Wicks as Nellie.
Here’s what some of the audience members had to say:
… intriguing, informative, emotional, and kept us guessing right to the end as to the outcome. – David Waters
…a wonderful piece, congratulations to you and the fabulous actors and director.– Rachel Creeger
Congratulations Kat, Becky and Pamela. And thank you Sarah for finding yet another playwright who writes great parts for women. Wonderful play, wonderful performance. – Grace Cookey-Gam
…a great night, great script, great acting great directing! – Gillian Steventon
Well acted and an emotionally gripping story. – Carol Allen
The So and So Arts Club is London-based global arts club that aims to put emerging artists in touch with established artists to share knowledge and resources.
Thanks so much to Sarah, Pamela, Kat and Becky and everyone who came along to support the reading.
See below for information and reviews for the recent Melbourne premiere of e-baby at Chapel Off Chapel from 4-15 March 2015.
“e-baby, a new play by Australian journalist and cartoonist Jane Cafarella, does a brilliant job of laying bare the complex issues involved in commercial surrogacy arrangements…”
– Angela Savage, critic and author
“Director Anna McCrossin-Owen has magically created a world for each woman that we can understand. Their long-distance and face-to-face interactions are seamless.
“The set looked deceitfully simple but gave the actors plenty to work with. I particularly liked the DNA-like installations. For its humorous moments and strong performances alone, e-baby appeals, but it is the way it challenges preconceptions and sheds a light on surrogacy that make this a show well worth seeing.”
– Beth Klein, The Melbourne Observer
“…a powerful and thought-provoking new Australian production by playwright and journalist Jane Cafarella.”
– Cate Altamura, film news.co.uk
“…the play stays resolutely away from sentimentality to bring to the stage an affecting story that is all too real and sad for many people.”
– Myron My, Theatre Press
e-baby goes behind the celebrity surrogacy stories and shines a light on a world where new life can start with an online ad.
The Melbourne premiere of e-baby was proudly supported by…
DIRECT TICKETING LINK:
e-baby Melbourne premiere creative team
Director and dramaturg – Anna McCrossin-Owen
|Anna McCrossin-Owen’s directing credits include Essential Theatre’s ‘Shakespeare in the Vines’ , featuring performances of Comedy of Errors, Romeo and Juliet and Much Ado About Nothing, 2010-2012.She directed and dramaturged Death in White Linen by Michael Dalley at La Mama and the Victorian Arts Centre program Full Tilt, earning a 2008 Victorian Green Room Award Nomination for Best New Writing for the Australian Theatre.In 2002, Anna directed and produced A Trilogy of Revolution- three plays by Wallace Shawn for the Melbourne Festival with her own theatre company inthecompanyofpleasure.This trilogy included the Obie Award-winning monologue The Fever, by Wallace Shawn, which was performed by Merfyn Owen during 1999-2004 in lounge rooms in Victoria and New Zealand.She has directed new Australian writing, cabaret and music theatre – including The Mohair Stockings ‘groovy performance art cabaret’, Water Project, with long-term unemployed youth, Pills, I love em to Death by Jennie Swain and Teenage Brain with Kensington Community School.
Anna was also an Assistant Director at the Victorian State Opera and Stonnington Opera in the Park from 2003-8.
A graduate of Queensland University and the Victorian College of the Arts, Anna was honoured in 2011 by the Victorian Green Room Association with a Special Award for Outstanding Contribution to the Melbourne Stage
e-baby 2015 Melbourne season cast
Carolyn Bock – CATHERINE
Since graduating from the Victorian College of the Arts, Carolyn’s diverse career has encompassed dance, theatre, television and film.
In theatre, she has worked for the MTC, Playbox, La Mama, Theatre at Risk, The Shift Theatre, and on a myriad of independent productions.
Her most recent theatre credits include The Penelopiad by Margaret Atwood for The Stork Theatre and Lost In Ringwood by Barry Dickens for LWOLF Productions/La Mama.
In 2009, together with Helen Hopkins, she co-founded The Shift Theatre and played in their first production of Two Sisters and A Piano by Nilo Cruz.
After two years research and development, The Girls In Grey, The Shift Theatre’s first co writing venture, played seasons in Melbourne 2011/12 and throughout regional Victoria in 2013.
Carolyn features regularly on television. Her most recent credits include INXS The Untold Story, Dr Blake Mysteries, Winners and Losers, Neighbours and City Homicide.
Film credits include Vanished, Murder in Greenwich (USA), SNAK, Zone 39, and many short films. She is also the Associate Director of Rollercoaster Theatre for actors with disability, and continues to work with children and youth in rural areas devising performing arts experiences.
Sarah Ranken – NELLIE
Sarah graduated from the University of Ballarat Arts Academy (BAPA) in 2008.
Since then she has worked on a number of theatre productions, including Uncle Vanya, directed by Laurence Strangio at fortyfivedownstairs.
Sarah has also been involved in various film and television productions. Recently she completed the television series Leongatha and the feature film Plague.
Sarah continues to train with Howard Fine and his associates at the Howard Fine Studio Australia and at 16th Street.
Sarah read the role of Nellie at a public reading of e-baby directed by Brenda Palmer at fortyfivedownstairs in August 2014.
Talking about surrogacy ...
A post-show Q & A was held on International Women’s Day, Sunday March 8
A vigorous debate, chaired by Louise Johnson, Executive Director at the Victorian Assisted Reproductive Treatment Authority, was conducted by experts from both sides of the surrogacy debate after the 5pm show on Sunday 8 March, in The Loft at Chapel Off Chapel.
- Jane Cafarella, writer/producer – e-baby
- Prof Manuela Toledo, Infertility Specialist at Melbourne IVF
- Assoc Prof Justin Oakley, BA, PhD (Philosophy) at Monash University Centre for Human Bioethics
- Dr Catherine Lynch, of the Australian Adoptee Rights Action Group
- Dr Renata Klein, feminist health advocate and author
- Renee Gollard, altruistic surrogate, representing Surrogacy Australia
A NEW LIFE JOURNAL ON LIFE MATTERS
For those who asked, here’s the link to the interview with Natasha Mitchell on the ABC Radio National Program Life Matters about my book A New Life Journal.
The book is a compilation of the columns I wrote about our family life for The Age, Quality Time Magazine, and Life Matters and on my blog. It was launched at Readings, Glenferrie Rd, Hawthorn, by former Age Editor and founder of the Eureka Report and Business Spectator, Alan Kohler on August 4.
If you would like to buy a copy of the book, please contact me here.
It is also available through Amazon or other online book stores. I published the book through Partridge, a division of Penguin as a gift for my daughter’s 21st birthday and my son’s 29th, and for those Age readers who were original fans of the column – and for the next generation of mothers.
Feel free to review it or to alert me to any reviews.
By pamela on September 3, 2014
Format: Paperback Verified Purchase
By SDY on October 5, 2014
Format: Kindle Edition
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