BREAKING IN – Inspiration for older women actors

The amazing June Squibb, still acting at 96. (Image purchased via Shuterstock)

Are you an older woman beginning your acting career or returning to acting?

It may feel daunting competing in a crowded market with younger actors who may already have years of experience.

But don’t be deterred. Your age and your life experience may be your superpower.

Take June Squibb, who is still working at the age of 96 –  returning to the Broadway stage this year to star in Marjorie Prime, a sci-fi about an 85-year-old woman with Alzheimer’s disease, who uses a holographic AI service (“Prime”) to interact with a younger version of her deceased husband.

Squibb also starred in the 2025 movie Eleanor the Great, directed by Scarlett Johansson, and in the 2024 comedy Thelma.

 ‘There’s only one June Squibb,’ Johansson said, in a 2025 Collider interview.

But is there?

The women who use my monologues for acting auditions suggest otherwise.

Take Susan Brekenfled, 65, of Julian, California, who started acting in October 2024 after she retired.

‘I had never done any theater and wanted to do something scary,’ Susan said.

For her first audition, she tried my monologue Quite A Sensation, about an older woman who is an anti-graffiti warrior, and who makes a graffiti statement of her own with the slogan ‘Old lives matter’.

‘I think the town wasn’t quite sure what to do with this gray-haired lady carrying on (very enthusiastically) about how “old lives matter,” Susan said. ‘But I sure did get that part! (Undertaker Drudge in A Christmas Carol).

Launched

‘Thanks to that monologue, I was launched and in love with the theater world.’

The following April, Sudan used another monologue, The World In My Hands, to land the part of Cherry Bourdel, the French-accented lady friend of Jane in the musical Paint Your Wagon.

And in March this year, when she auditioned with the The Tidy Grave, about a grieving wife, she had the director/producer and camera man all weeping.

Then there’s Evelyn Davis, in Auckland, New Zealand, who started her acting career at 75.

‘I belong to a drama class…discovered I’m quite good at acting….and bounced on through to Level Three,’ Evelyn wrote. “Quite empowering and good for my confidence….I’m.75…..last night was our last session for the term and I chose to do a monologue and used your one called A Confession.

‘It was interesting to do because so many of the scenes people choose to work on are so dramatic and over the top and almost invite over emoting. Yours was different because on one level it’s quite mundane and day to day…or something…so I knew all the lines but I really didn’t know how I would feel, or how they would come out….I just trusted I would find it in the process of being in the character. And I did.

‘…it was amazing to allow the emotions to rise and ebb and flow….there was love….loss…longing… defiance…guilt… regret… awkwardness….anger…vulnerability….it was weird to know my lines and yet not have any plan or idea about how I expected to feel….strange to just trust that I would find out about her as I went through the lines….and so I got to be surprised and unexpectedly moved by the character’s emotional journey.’

The same goes for Lisa Stark, in Burbank, California, who returned to acting this year after a 50-year hiatus, using Job Description for auditions for indie movies in Backstage.

Beginnings – not endings

The point is not that these newbies are equivalent in talent or experience to June Squibb – although one day they might be. The point is that, like Squibb, they are discovering that ageing can be about beginnings, not just endings.’

So, if you’re an older woman thinking about trying acting, be encouraged and inspired. Use your age, your rich life experiences, and the courage that has got you this far in life, to have a go.

When she was asked about ageism in show business at the 2014 Golden Globe Awards , Squibb was determinedly optimistic: “Well, it’s like anything else. I always feel, rules are meant to be broken.”

Turns out she was right.

PLAY & BOOK NEWS!

  • Uked! – The first play-along ukulele musical premiers in Sydney at the Bondi Pavilion, 18-28 June.
  • Breaking Up is Hard to Do – a short play about book clubs, premieres in The Hague, The Netherlands
  • Twentieth production of Members Only, performed in Worcester Park, Greater London,
  • Five short plays now in rehearsal at Modesta Junior College (MJC) Central Valley, California, USA.
  • Memoir, Cleaved – A story of loss, legs and finding family, a finalist in the Chanticleer International Book Journey Awards for  Overcoming Adversity https://www.chantireviews.com/2026/02/12/the-2025-journey-finalists-for-overcoming-adversity-in-narrative-non-fiction/ 
  • e-baby, a drama-comedy play about surrogacy, now under consideration for production in Mexico.

Book Club play premieres in The Hague

It was a big thrill to hear that my book club play Breaking Up is Hard to Do, premiered in The Hague, in the Netherlands, in November 2025.

The play was performed in a showcase by an adult educational theatre group, directed by theatre teacher Ines Dominguez del Corral, along with my short Dickens-inspired play Greater Expectations.

‘The students learned a lot and we truly had a great time working on this material; it was very funny, ensemble building and it gave us lots to talk about, discuss and philosophy about.’ – Ines Dominguez del Corral, theatre teacher, The Hague, Netherlands.

Breaking Up is Hard to Do is fast-paced fun six-hander about six women who find themselves in conflict with the group leader.(While the photo shows the actors seated, the play includes a lot of action.)

Book Clubs are the perfect setting for drama. While on one hand, they bring together book lovers, every reader is different, and the potential for conflict – the heart of all drama – is always present.

The play will have two further productions in May.

The second production will be in Sydney, at the Coast Centre Seniors Annual Concert, under the direction of actor Patrick Phillips.

The third production will be in the Central Valley of California, when top students at Modesto Junior College try their hands at directing a selection of my plays – Breaking Up is Hard to Do, Errata, Members Only, Oliver With a Twist and Greater Expectations.

I loved reading all of your selections– especially “Breaking Up Is Hard To Do” because my educational background is pretty Shakespeare-heavy but I love my Colleen Hoover books!) – Lindsay Bryan, theatre teacher, Modesto College, California, USA.


Members Only 20th production

In other play news, Members Only, my most popular short play, had its 20th production on 25 and 26 July 2025 at Worcester Park, Greater London, UK.

Members Only was a huge success as part of our summer ones acts, which was called “The Divine and the Strange” … we definitely got a lot of laughs from the audience during our two performances.  Glynnis Morgan, Business Manager, Worcester Park Dramatic Society, UK.

Glynnis Morgan as Karen and Martin as Gabriel in the Worcester Park Dramatic Society’s production of Members Only at the Elmcroft Community Centre, Greater London, UK

(If you’re wondering why I’m reporting on last year’s events, it’s because the groups who use my plays sometimes take a while to send photos and feedback)


Ukulele musical in Sydney

Karla’s fellow ukulele club members perform on stage with JEREMY (Pete Gavin), in the hit play-along ukulele musical ‘Uked!’

Closer to home, my interactive ukulele musical Uked! – The first play-along ukulele musical will premiere in Sydney 18-28 June at the Bondi Pavilion Theatre, produced by the Bondi Theatre Company and David Spicer Productions.

Uked! is the hilarious and poignant story of Karla, who is dumped by her violin-playing boyfriend, Brian, on her 50th birthday. Between caring for her aged mother and working at Pack n’Track with her friends Julie and Leonie, Karla begins to worry that she’ll never find love. The world is changing and she’s struggling to find her place in it. Desperate to belong and to prove her musical worth, Karla buys a ukulele and joins a dating site  – learning that love and the ukulele have a lot in common.

Uked! premiered in Guildford, Victoria, in 2019 to sell-out audiences, and later in Newham, and then Auckland, NZ in 2024.

Are you a passionate ukulele player?


New play for large ensembles

If you’re looking for a play for a larger ensemble, please check out my new play Grown Ups – A Game for Children.

Grown Ups is inspired by traditional Greek Theatre, and is performed in rhyme, like a playground chant.  The cast involves two different teams of actors – a minimum of six – OR up to any amount, as long as it is an even number.

Grown Ups is a thought-provoking play about who makes the rules in societies and what happens when you break them.  It may be of particular interest to high schools talking about issues such as bullying.


New pantomime

And if you’re group is interested in pantomime, look out for Red, a modern take on the traditional pantomime Red Riding Hood, coming soon.

I love hearing from the drama groups who produce my free short plays. These are available for FREE for actors, directors, community theatre groups, drama groups and students anywhere – on the condition that you fully credit me, let me know who is performing them, where, when and send photos and feedback. Also, no changes to the text are permitted without my permission. However, I’m happy to answer any queries about the text.

Your chance to be in our hit ukulele musical!

A kooky ukey love story with unique audience engagement

Coming to the Bondi Pavilion, Sydney, 18-28 June 2026

After sell-out seasons in Central Victoria in 2019, and premiering in Auckland in 2024, Uked! is ready to get Sydney strumming.

Play along or be on stage with KARLA!

Register your interest now at uked.beintheshow@gmail.com

Volunteer Performers playing Karla’s fellow club members from the Newstead Ukulele Troupe (NUTS), on stage with Pete Gavin as JEREMY, the NUTS leader.

Calling all passionate ukulele players! You’re invited to be in the hit play-along ukulele musical, Uked!

THE STORY

Uked! is the hilarious and poignant story of KARLA, who is dumped on her 50th birthday by her violin-playing boyfriend Brian.  Between caring her for aged mother and working at Pack’nTrack with her friends Leonie and Julie, Karla begins to worry that she’ll never find love. The world is changing and she’s struggling to find her place in it. Desperate to belong and prove her musical worth, Karla buys a ukulele and joins a dating site – learning that love and the ukulele have a lot in common.

More info – https://uked.com.au/

Rebecca Morton who starred as KARLA in the Uked! premiere to sell-out audiences in Guildford Central Victoria in 2029

I wrote the show for all the Karlas out there, and to celebrate the humble ukulele’s ability to bring people together – and as an antidote to the daily misery of the news.’Jane Cafarella, writer.

MUST SEE! Take your uke, join in, sing or smile along! A GREAT NIGHT! Laughed a lot.‘ – Michelle Robie, Castlemaine, Vic.

‘If you only get to indulge in one ukulele fantasy this year, make sure it’s this one. A great night out!‘ – Kim Burns Music.‘Gave in, going again! 🤣🤣👏🏼👏🏼 please don’t miss this!‘ – Kaye Nankervis, Bendigo.

BE IN THE SHOW

Bring your uke and play-along with Karla from the audience (chords and lyrics displayed on screen).  Playing level: beginner to intermediate. Songbook provided in advance.

BE ON STAGE WITH KARLA

Be on stage as KARLA’S fellow ukulele club members. Four Volunteer Performers are required each night. VPs get discounted tickets, free merch and attend two rehearsals.

Hate audience participation? Just sit back and enjoy the show!

NUTS in action on stage with KARLA (Rebecca Morton) and JEREMY (Pete Gavin) in the Guildford premiere of Uked!
NUTS in action at the Newham Mechanics Institute with KARLA (Rebecca Morton) and JEREMY (Pete Gavin).
KARLA (Rebecca Morton) gets into the song with the GRUBS (Guildford Regional Ukulele Band) led by RUTH (Fi Chant – far right).

BE IN THE UKED! BAND

Professional players and seasoned ukulele teachers are invited to register their interest to audition for the Uked! band. Two players are required (bass and tenor).  Includes a small walk-on acting role.

Don’t miss out! Register your interest now. uked.beintheshow@gmail.com. More info: https://uked.com.au/

JEREMY (Pete Gavin) and JOEL (Tex Turkey – drummer in the Uked! band) ham it up while KARLA (Rebecca Morton) and the NUTS play along.

SPONSOR OUR SHOW!

We’re looking for cash sponsorship and opportunities to partner with relevant companies. We offer high visibility and unique audience engagement for those whose products are ukulele or music-related, or whose products are of interest to older people who are looking to maximise their enjoyment for life, particularly women. Register your interest at uked.beintheshow@gmail.com.

Eight new FREE theatre monologues for women over 40

Are you an older female actor looking for FREE contemporary theatre monologues?

Here are eight new FREE contemporary theatre monologues for you to showcase your talents.

  1. DEAR LINDA (two and a half minutes) – MONICA, 50s+, is writing to an old school friend after attending a school reunion.
  2. FIVE STORIES OF FAILURE TO MAKE YOUR DAY (two minutes) – VALERIE, 40s+ tells her daughter/son/friend* the secret of success.
  3. MAD SCENE (90 seconds) – IRA, 40+, warns a shop assistant that she has been waiting quite a while.
  4. MY LIFE IN BRAS (two minutes) – JEAN, 40+ tells her husband/partner why she is refusing a breast reconstruction after double mastectomy.
  5. OLD THINGS (90 seconds) – GERALDINE, 50+, visits an old friend in hospital.
  6. SCHOOL REUNION (two minutes) – KAREN, 40s +, tells an old school friend about a school reunion.
  7. THE TOAST (two minutes) – VICTORIA, 40+, gives a speech at her daughter’s wedding. She is slightly tipsy.
  8. THRICE A WEEK (90 seconds) – PAULINE, 40-60+, rejects her gynaecologist’s offer of Hormone Replacement Therapy to solve her marriage problems, confessing to a new passion — Shakespeare.

This brings the total number of FREE comedic and dramatic monologues on this site up to almost 100.

Since I made my monologues and short plays available on this site for free just over three years ago in October 2022, they have been performed in more than 170 locations around the world.

You have a plethora of wonderful, magical and insightful monologues for women. I felt like a kid in a candy shop when I started reading them!  – Theresa Puskar, Director, using 12 monolgoues for A Stitch in Time, The Theatre of Western Springs, Illinois, USA

Most of the monologues are free-standing. Some are from my two full-length plays, e-baby (about surrogacy) and d-baby about donor conception.

They range in length from one minute to up to four minutes, and cover the emotions, events and experiences in my life as a woman in today’s world, and in those of my friends and the people I interviewed in my career as a journalist. Of course, these have been fictionalised, and names and circumstances have been changed for privacy and anonymity.

Giving voice to women’s experiences

As a 65 year old woman, I feel as though you climbed into my brain and pulled out the words. – Nancy Ferraro, North Palm Beach, Florida, USA, using ‘Grey’ for an acting class.

I write to make sense of the world I live in and to give voice to the experiences of women like you and me,  which have been so often dismissed and ignored in the past.

These seven new free monologues are inspired by my own experiences, those of my friends, and items in the news.

Seeking engagement

I am so grateful for your writing and offerings of so many terrific monologues for a woman actor at the vintage age of 64. – Laurie Gauger, Chicago, Illinois, USA

I’m not asking for money, although you’re welcome to make a donation. What I’m seeking is engagement, and the satisfaction of knowing that my work resonates with women all over the world, and that we are sharing a common experience.

All I ask for you to let me know which monologues you are using, when and where they will be performed, and send photos and feedback.

I’m not an actor, I don’t give acting advice. You’re welcome to interpret them as you see fit. But if you’d like to know more about the one you choose, I’m happy discuss them.

There’s only thing I have a preference for when it comes to acting. If you are performing a sad monologue, I prefer that you don’t cry, but that you seek to make the audience cry through showing emotion with restraint. But that’s just my preference.

Let me know how you go!

I used Happy Medium and Never– I got the job! Thank you so much for your brilliant writing. – Jo Lane, Oxford, United KingdomWow!

All successful writing for theatre requires two other factors apart from the words – the actor’s interpretation and the audience’s reaction and participation, so it really helps me as a writer to know how you go with your performance, and whether the work resonated with you and your director and audience.

I’m also open to ideas and suggestions if you want something in particular written.

I love to hear from actors, directors, drama teachers and students all over the world and to feel part of the global community for whom story telling through theatre is a passion.

So, please, feel free to contact me.

Break a leg!

Here’s what actors like you are saying:

Thank you so much for allowing me to use this! It’s perfect to showcase my dramatic side. – Anna Hurt, Middleton, Idaho, USA

I am a huge fan of your work and I pray that you continue writing. – Emma Spurgeon, Wellford, Southern California, USA

I read Confession last night — and my teacher was really impressed. Thank you for sharing your talent. – Anne Brown, Peoria, Illinois, USA.

Thank you so much for making the monologue available! It’s wildly accurate and amusing! – Dory Larson, Tarpon Springs, Florida USA, performing ‘Gone to the Dogs’ monologue.

I did my audition yesterday and I got the part! – Merna Ferris, Alberta, Canada, performing ‘Here Come the Cassseroles’

Thank you so much for allowing the use of your scripts!  They are very fun indeed!! – Holly Zeleny, Denver, Colorado, USA

Thank you very much for sharing your work online. I especially like your focus on older actresses. – Kristine Samson, Redding, California, USA

Thank you again for your terrific creative writing! – Kerry McGinnis, Austin, Texas, USA

Thanks for writing for who we really are.Chris Hicks, director, The Narrators, senior acting group at, Central Florida Community Arts

Your monologue was a hit! I think I got a call back! – Laurie Gauger, Evanston, Chicago, Illinois, USA, performing  ‘Here Come the Casseroles!’

The monologue was greatly received, with laughter and gasps. I still think “Snapped” is the perfect audition piece for that play.  – Geri Beam, Georgia, USA, auditioning for Arsenic and Old Lace

I got a lead part as a result of the audition! – Lisa Grey, British Columbia, Canada, using ‘Quite a Sensation’ to audition’ for the play Four Old Broads.

I think you speak to every woman-regardless of the actor’s real age. Somehow, you make your pieces ageless, simple and real.  Kathy Blumenfield Los Alto Hills, California, USA

When dogs weren’t people

Pepe, who disdained other dogs.

“Can you get me a dog?” my 87-year-old-father asked my sister a few years before he died. He was lonely and a dog seemed like the obvious solution.

“Dad, dogs cost thousands of dollars these days,” she said. 

He was incredulous. Come to think of it, so was I. 

When I was a kid, dogs were free unless you wanted a pedigree, and mostly you didn’t because someone always had a puppy to give away.

Dogs these days require clothes, prams, seat belts, toys, toilet services, asthma puffers, dental and medical services, health insurance, day care, spa baths, manicures, hair dressers and sometimes even psychologists.

A dog today is a child that never grows up.

It makes me wistful for my own childhood, when dogs weren’t people.

When I was growing up, dogs didn’t own anything, except perhaps a collar.

Even leads weren’t mandatory, as mostly dogs roamed free.

In those days, the whole world was an off-lead park.

In those days, dogs didn’t need health insurance as they rarely went the vet, unless for a distemper shot, or to be spayed or neutered or put down.

Dogs didn’t go the office, the gym, to cafes, restaurants, movies, day care, or attend work Zoom meetings either.

It was accepted that dogs stayed home – either in the backyard in a kennel, or  in the laundry with a bowl of water and food. No one had to rush home to keep their dog company.

Dogs, like babies, are consumers now because business preys on the insecurities of the parents of fur babies, just as it preys on the insecurities of the parents of human babies.

So human

Before you start snarling in defence, let it be known that in my adult life, I, too, have owned several dogs who were also (very special) people.

I get it. Dogs are so human –  but much easier to love.

Our long-haired chihuahua, Pepe, pictured above, was so convinced that he was human, he disdained the company of other dogs. 

Pepe’s feet seldom touched the ground, as he was mostly worn by me, like a brooch.

When I stopped working from home, I worried he’d be lonely, so I bought him a companion, another long-haired chihuahua named Bambi, whom he hated on sight.

Bambi, where she believed she belonged.

Every time she walked into the room, he walked out. It was like living with a divorced couple.

So popular

Years later, when we lived in Thailand, our tiny brown Chihuahua, Bugsy, was more popular than we were.

“Bugsy!” the local children would cry, as I chugged past with Bugsy suitably restrained in the basket of my step-through Honda 250 motorcycle.

The staff at Starbucks would hand-feed him tasty morsels of scone on a napkin, as he sat royally on the seat opposite me while we waited for my daughter to join us after school.

 “Where Buggy today?”, they’d ask, if I dared to leave him at home.

Bugsy had a comfy bed in every room of our house in Bangkok, along with a bowl of water and snacks. He never roamed alone, in case someone stepped on him.

Bugsy – Starbucks favourite customer.

By contrast, Minnie, the little black and white terrier-like bitza we owned when I was a teenager, wore a collar, but seldom a lead.

She followed me to the milk bar where I worked after school, and waited for me outside.

So delighted

If she got sick of waiting, she went home. 

At home, Minnie ate table scraps topped up with a bit of Pal (the most popular brand of tinned dog food at the time), served on a sheet of newspaper that was folded up and put in the bin when she finished. (No ant-ridden, sticky bowl to wash.)

Her favourite meal was my mother’s left-over spaghetti bolognese. This delighted her so much that her right back leg would slowly elevate, as if being cranked up, as she quivered in gastronomical ecstasy.

The notion that she might keel over from eating the onion in the spaghetti sauce never occurred to us. (She never did).

Nor did it occur to us that she needed a special bed. Minnie’s bed was an cardboard box from the local green grocer, lined with an old woollen jumper that my sister or I had outgrown .

“In the box!” we’d bark, when we wanted her out of the way, and she’d obligingly jump in.

Nor did we have to pick up her poo. This was a lot easier for us, but harder on the environment. Treading in dog poo was a regular childhood hazard.

It’s good that there are no turds on the beach these days (at least canine ones), and dogs deserve to be well cared for.

So nostalgic

But having experienced both types of dog ownership, I’m nostalgic for the days when you didn’t have stand in the street, biodegradable plastic bag in hand, smiling apologetically at passers-by, while your dog painstakingly squeezes a turd from its bottom.

 I miss the  days when you could give a dog a bone without a consumer warning attached to it.

 When you didn’t have to check the dates and times before you took your dog to the beach.

When dogs weren’t desperate for you to take them for a walk, because they either came with you or walked to the beach by themselves.

Dogs in my day always seemed to be going somewhere.

I know that my nostalgia is misplaced. Dog ownership today is a big responsibility and that’s how it should be.

There were consequences for the freedoms dogs had in in my day. They got hit by cars, sometimes had “the mange”, fleas and ticks, and were sometimes abused and neglected.  

Sometimes, free-roaming dogs were dangerous and bit people, who then had to have a tetanus injection.

I know that my nostalgia is a hankering for a time when everything was simpler: when there was no social media connecting us to the problems of the world and less was expected of us all in some ways and more in others.

But I confess, I miss the days when dogs were as carefree as their owners.

I no longer own a dog, but I do have a much-loved grand-dog.