CLEAVED in The Weekend Australian

The benefits of paying it forward

CLEAVED in The Weekend Australian

Thank you everyone for your great response to the two excerpts from my memoir CLEAVED – A story of loss legs and finding family that were published in the Arts section of The Weekend Australian on April 13.

 In the past week I’ve been overwhelmed. (Nearly 100 downloads!)

My gratitude to Literary Editor Caroline Overington for giving CLEAVED such a generous run and to readers for their warm responses.

I can’t put it down. It’s warm, honest, brilliant…‘ – Jan Harkin, Melbourne

THE STORY

THE STORY

The only family photo of us all together – with, typically, me on the left with Mum, and Juliana with Dad.

CLEAVED is the story of my sister Juliana and me, foot soldiers in the family war, each cleaved to a different parent from birth – and of the shocking betrayal that blew me and my mother apart from the rest of the family for decades.

It’s also the story resilience, a unique account of growing up with Milroy’s Disease, a rare genetic form of the progressive and incurable swelling disease that meant my right leg was a perfectly proportioned bigger version of my left.

There was no cure and no name for it so it was largely ignored. “Just tell them you were born that way,” my mother said, when I was taunted at school.

My leg problem was always secondary to the bigger family drama of family estrangement. The situation was normal even if I wasn’t.

Cleaved is a coming-of-age story, a story of forgiveness and compassion, both a tragedy and a triumph – and one which reader’s love. Perfect for Book Clubs.

See Book Club discussion questions here:https://janecafarella.com.au/blog/

Cleaved is available as PDF download here:

How to download:

  1. Click the download button above and follow the prompts to pay.
  2. Check your email (and spam) for your receipt.
  3. Click the word “download” on the receipt.
  4. The PDF will appear in your “downloads” file on your computer.
  5. Save it to the file of your choice – e.g. documents. If you leave it in “downloads”, when you open it again, it will regard it as another download and ask you to pay, as there is a download limit of one copy per purchase. If this happens, don’t pay again! Email me at jane.cafarella@gmail.com and I will help you.

REGISTER YOUR INTEREST FOR THE PRINT VERSION

I’ve had some inquiries about a print version, so I’m exploring options for this.

If you are interested in buying a print version of CLEAVED please register your interest by emailing me at jane.cafarella@gmail.com with the word YES in the subject line.

Of course, you’re welcome to comment further in the body of the email if you wish.

What readers like you are saying about CLEAVED:

I have just finished reading your book. Beautifully written… I loved the ending. It was a story of forgiveness. Of course I am crying as I write this note. My heart has been deeply touched by your story.Eileen Dieleson, Perth, Western Australia

I practically inhaled your book – I found it such a fascinating story, beautifully written. Thank you to you and Juliana for sharing so generously and openly. – Jane Haley, Hobart, Tasmania

…I am transfixed. I think it might reach into my heart. I can’t put it down – Marie McNamara, Newstead, Victoria

Fabulous!….Reluctantly putting your book aside to help with dinner – Denise Wheelan, Castlemaine, Victoria

 Shamefully, I’ve been lying around all day finishing it, cause I couldn’t put it down– Suzanne Walshe, Maldon, Victoria

 …an incredible story. Beautifully written, … Personally, I found it hard to put down… – Bronnie Dean, Harcourt, Victoria

…a courageous search for a truth that reads like a compelling mystery. – Angela Ryan, South Melbourne, Victoria

Have your read CLEAVED? Would you like to comment? Send your review here jane.cafarella@gmail.com  or post on The ABC Facebook Book Club or Goodreads.

How making your work free can bring priceless connections

The amazing benefits of paying it forward

The benefits of paying it forward

Dramatic lighting is effective in the final scene of Members Only at Butler University, directed by Hannah Luciani, with Ashley Robbins as the Concierge, Jess Rullo as Karen and Maselli Desantis as Gabriel.

One of the big problems about being a writer is isolation.  Unlike playing music or acting, writing is a solitary activity. 

Even if you work in a café, as I often do, people are cautious about interrupting – or in my case, scared off by my intense look of scowling concentration.

But in the past 18 months,  I’ve unintentionally found one simple solution to writer isolation – making some of my work free.

Since October 2022, when I first took the paywall off my website for my short plays and monologues, my work has been performed in 29 locations around the world – mostly by emerging actors and directors in the USA, the UK, Canada, Ireland and Australia. (I use Pinmaps, an online interactive map service, to keep track of where it all goes.)

The only condition for use is that people let me know when, where and how my work will be used and send photos and feedback.

Members Only, my most popular free short play – about a woman who makes it to the pearly gates, only to find she doesn’t know the password – has been performed in Mt Barker, South Australia, and in the USA in Oregon, Wisconsin, Indiana and Arkansas, with performances in Texas and in the Huon Valley in Hobart, Tasmania next month. 

Members Only has also been submitted for a New Director Workshop, in Virginia (USA) along with three other short plays that are available for free on my website.

What I receive in return is priceless – connection with emerging and established actors, and directors – young and old – all over the world, and the satisfaction that I’m helping other artists grow and learn.

The actors and directors who use my free short plays and monologues mostly aren’t professionals. Mostly, they are female actors who are emerging, or re-emerging, or drama teachers and students.

Hannah Luciana, a junior theatre major at Butler University in Indianapolis, Indiana, who directed Members Only in December 2023 for her final project in her directing class, said: “I loved the humour and characters and felt it would be a great way for me to grow as student learning directing.”

The purpose of the project was to practise casting, learn how to conduct rehearsals, interpret the text and then showcase the work to fellow students and the faculty in a free presentation at the end of the semester.

“In total honesty, directing this show was such a positive and educational experience for me! I loved the comedic aspects, of course, but also loved connecting them with the tangible aspects of religious figures and ideas – it gave the cast and myself material to build from which was great for our short time frame,” Hannah said.

The opening scene of Members Only, produced by Emily Golden at Bismarck High School, Arkansas, showing Karen, arriving at the pearly gates, to find the Concierge, who is the gatekeeper.

Anne Marie Serano, Artistic Director at Acting Out Troupe in Mt Barker, South Australia, was looking for  material for the inaugural performance for a newly formed theatre group, which began with just six “senior ladies who got together and decided they wanted to have fun”.  

They chose Members Only as part of their first show, titled Senior Moments, performed in the Mt Barker library to a sold-out audience last November, followed by an encore performance in December.  

Anne Marie, who has a Masters degrees in Social Work and Drama, said the group would now expand to include general community members “not just older ladies”.

“I was very active in the community theatre in the US. Since coming to Australia  it has taken me 12 years to find my place in an acting/directing capacity. Being a part of the conception and the building of the Acting Out Troupe has been so rewarding. I finally feel totally at home in Australia. The members of this Troupe are warm, friendly and inviting. This has truly been a milestone in my personal and professional life.”

And mine.

When Acting Out Secretary, Pat Pearson, (who played Gabriel in the play), came to visit me in Castlemaine last month, she had a  list of questions about the play, which helped me improve it. (See the tweaked version here, with my other free short plays: https://janecafarella.com.au/ten-minute-plays/)

Gabriel, who appears with a trumpet, is the most popular character in Members Only.

Emily Golden, a sponsor of the drama club at Bismarck High School in Arkansas, which produced the play for a short play festival in December 2023, said: “It was an audience favourite, for sure. Everyone loved our Gabriel as well. We had him enter with a trumpet and play terribly, so everyone loved it.”

Here’s a great photo of Pat Pearson as Gabriel, also playing badly, in the Acting Out Troupe debut. (Scroll down for another great interpretation of Gabriel – Maselli Desantis  in the Butler University Production in Arkansas.)

Pat Pearson blows her own trumpet as Gabriel in Acting Out Troupes’ production Senior Moments, in Mt Barker, South Australia, directed by Anne Marie Serano.

I understand the importance of artists being paid for their work. I have two full length plays, a musical and a one act comedy which are licensed with agents, and for which I receive royalties when they are produced.

Uked! –the first play-along ukulele musical, which had two sell-out seasons in Central Victoria, Australia in 2019, will be produced by Libretto Productions in Auckland, New Zealand, in August 2024, and Supersnout, my one-act comedy about a talking dog, will be produced in May by the Lithgow Theatre Company in New South Wales, and by the Kegworth Players in Derby, in the UK.   Supersnout has previously been performed in Melbourne, (Victoria) Toodjay (WA), Aberdeen, (Scotland) and Stratford Upon Avon (UK).

But if, like me, you are in the later part of your career, and you can afford to pay it forward, there are enormous rewards in making some of your work free for those who will benefit.

Acting Out Troupe’s media officer, Lynn Bonython sums it up perfectly: “It’s about connecting with audiences and sharing our human experience.”

Maselli Desantis as Gabriel in the Butler University production of Members Only in Arkansas, USA