‘Oliver With A Twist’ – the FREE short play inspiring new theatre makers

Savannah Buys, as the Child, in the Theatre 308 Darien High School production of Oliver With A Twist in Connecticut, USA

Thank you so much for these plays! I love ‘Oliver With A Twist’, because it is funny, and a clever story.” – Greyson Neumayer, Senior Student, 2025, Alliance Charter Academy, Oregon, USA.

There were several moments of chuckles, guffaws, and laughs out loud during this witty satire.” – Brian Hobson, Teacher and Theatre Director, Laporte School, Minnesota, USA

...even with the first cold read, everyone was in fits of laughter.” – Bonnie Schultz, Theatre Players, Sunshine Coast, Australia.

Happy to report that the production was a complete success!!” – Cassandra Medrano, Theatre 308, Darien High School, Connecticut, USA.

The love of theatre

One of the most rewarding experiences as a playwright is to inspire a love of theatre.

That’s why I’m so delighted that student directors and actors of all ages in the USA and Australia – and even Spain! – are embracing my FREE short pay Oliver With a Twist.

The play, which satirizes modern food culture, has received eight new productions this year (2025) with another two planned for May 2026.

Drama students at high schools in the United States produced and performed in three of this year’s productions.

These were:

  • Laporte School in Minnesota,
  • Theatre 308 at Darien High School in Connecticut
  • Deep Run High School in Richmond, Virginia.
Claire Wood (waiter) Hannah Huang (Guest 1), Natalie Treacy (Guest 2), Bridget Peters (Guest 3), with Director Cassandra Medrano, (second from right) standing in for Lulu Deluca (Guest 4), and Savannah Buys (Child), rehearsing ‘Oliver with A Twist’ at Theatre 308, Darien High School, Connecticut, USA. Photos: Isabella Moss.

In November, Tooleybuc Central School, NSW, Australia and North Fork High School in Hotchkiss, Colorado, USA, will produce the play. And in May next year it will be produced by student directors at Modesto Junior College in Central Valley, California.

Students at Modesta will also try their hands at directing another four of my short plays Errata, Breaking Up Is Hard To Do, Members Only, and Greater Expectations.

Oliver was also produced by the newly minted Sunshine Coast senior drama group, Theatre Players, in August this year at the Noosa Arts Centre, Queensland, Australia. Theatre Players was the inspiration of Sunshine Coast U3A tutor Bonnie Schultz.

And in May next year, the play will be produced by Cloud Nine Theatre Group, a company of British expats in Murcia, Spain.

Oliver With a Twist is the second most popular of my 10 FREE short plays available to actors and directors everywhere.

The play orginally premiered at the Singapore Arts Centre in 2014, produced and directed by Susie Penrice Tyrie.

A further production, also directed by Susie, was performed Singapore’s Goodman Centre in 2019, for Timeless Tales,  produced by Dream Catchers and Arc Light Productions.

Another scheduled production for The British Club, as part of a trio of Dickens-inspired plays, titled What the Dickens! ,was sadly cancelled due to unforeseen circumstances.

Rehearsing Oliver With A Twist for the Noosa Arts Centre one-act play festival. the guests, Vicki Jones, Robina Beard, Jackie Fletcher, Patricia Walters, Sharon Thomas play the Guests, while Carol Wexler plays the waiter. Directed by Patrick Phillips.

The play made a comeback in 2023 students at the Alliance Charter Academy in Oregon, USA produced it. And in the past two years, it’s taken off, as my second most popular FREE short play.

My most popular FREE short play is Members Only, with 18 productions in 11 years. These productions were mostly in schools, universities and community theatre in USA, Australia and the UK.

My aim is to provide free accessible contemporary plays that are easy to produce and are guaranteed to provoke debate.

Congratulations to all the the new theatre makers and students who have performed in Oliver!

I hope you are inspired to look at my other plays and monologues and to continue exploring the joy of theatre.

Students at Laporte School, Minnesota, USA, rehearse ‘Oliver With A Twist’

CONDITIONS OF USE: My short plays are available for FREE on the condition that I am fully credited, users let me know when, where and how the work will be used, there are no changes to the text, and that you send photos and feedback. Your location is important, as I keep a little online pin-map to keep track of where my work goes.

This is a service for community and professional theatre makers alike – my way of giving back to those who gave me my start.

What I’m looking for is connection, so please get in touch if you like my work and want to perform it.

I have other work that is licensed for production and for which I get royalties.

But if you feel inclined, I accept donations HERE to help keep this website going.

Check out my other FREE plays HERE:

Are you a female actor or aspiring actor looking for audition monologues? Check out my FREE contemporary monologues for older and younger women HERE.

Voices from the past: how understanding your family history can help you write a better memoir

Knowing and understanding the events that shaped your parents and grandparents lives can be invaluable in helping you understand your own story.

Join me at the Italian Historical Society , 199 Faraday St, Carlton, Victoria, 24 June, 6.30 -8.30pm for a discussion about how researching my family history informed and and enriched my memoir – and how it can do the same for yours.

My paternal grandmother, Angelina Taranto, as a young woman. I suspect this formal photo was taken in 1923, just before her 20th birthday, when she and her father migrated to Australia.

 ‘Cafarella – that’s Italian, isn’t it?

This was the question everyone asked when I told them my name when I was growing up.

‘Yes,’ I’d say. But it felt like a lie

I had the name and the nose and my father’s olive skin, and that’s all.

Unlike my cousins on Dad’s side of the family, my older sister Julie and I didn’t speak or understand dialect. I didn’t even know it was dialect.

Nor were we Catholic. We were raised Anglican, like my mother’s family.

And while our cousins called our Italian grandparents ‘Nonno’ and ‘Nonna’ , to us they were ‘Nana Cafarella’ and ‘Old Cafarella’, as my mother dubbed our grandfather Gaetano.

We spent much more time with our maternal grandmother, who (affectionately) called me ‘Darkie’.

Even our address in Remo St, Mentone, in Victoria, felt like a lie.

Named after Menton, on the French Rivieria, near the Italian border, its founding fathers had named most streets after Italian towns and cities in the hope of creating a similar seaside resort.

‘Married out’

Unlike most Italians, who stuck together, my father had been keen to shed his Italian identity, and so had “married out’, as it was called then. My mother, with her pale freckly skin and green eyes, was of Irish, Scottish and Danish origin

The marriage was a mistake, as she often reminded us.

Although we all lived under the same roof, in the marital war that followed, my father claimed my sister Julie, while my mother claimed me, further aligning me with my mother’s side of the family.

I was 17 when my parents finally divorced, making the emotional separation physical.

Six months later, an explosive discovery blew my mother and me away from the rest of the family for decades. I didn’t see my sister for 20 years and my cousins for 40 years.

I was in my 50s, when I finally learned my family immigration story from his younger sisters Tess and Tina.

I’d heard part of it directly from my grandmother, Angelina, when as a young journalist, I’d interviewed her. But I was young and ignorant then and wasn’t asking the right questions, and her English wasn’t fluent.

Tess and Tina filled in the details.

First Italian diaspora

From them, I learned that Angelina’s father, Francesco Taranto, had migrated to Massachusetts in the USA in 1901, from his home on Salina, the second largest of the Aeolian Islands, off the coast of Sicily, as part of the first Italian diaspora (1901-1915).

There, he’d married the 16-year-old Maria Carmine Favalora, and my grandmother Angelina was born in Boston in 1903.

When Angelina was just 13 months old, Marie Carmine died tragically after a jealous woman cast the Evil Eye (malocchio) on her after hearing her sing at a party.

While Francesco went to Australia to work, Angelina was sent back to Salina to be cared for by an aunt, whom Francesco later married.

Her aunt and then stepmother, Orsola, was of course, wicked, and refused Francesco’s pleas to join him in Australia.

Angelina was almost 20 when it was finally agreed that he should return to Salina to bring her back to Australia to live with him.

New restrictions in the USA on immigrants from Southern Europe had prevented them from returning to Boston. They were also inspired by ‘paesani’ from the village who had migrated to Australia.

Angelina and her father arrived in Sydney on the Orvieto, an English ship, in May 1923.

Gaetano Cafarella, the man she would later marry, arrived three years later in Australia in 1926, after running away from the Gibilmanna Sanctuary in Palermo, where he was training to be a priest.

Still, there were questions. Why, for example, hadn’t Maria Carmine’s family cared for the young Angelina in Boston? Why was she sent back to Italy? And how had Gaetano come to be interned during World War Two?

Keen to find out more, one day in 2016 I walked into the Italian Historical Society in Faraday St, Carlton.

There, unbelievably, with the help of Paolo Baracchi, Manager of Cultural Events, I discovered a translation of an interview with my grandmother Angelina by researcher Marie Tence.

I’d walked past the society the for years, unaware that the answers to many of my questions were awaiting me there.

The document gave my grandmother a voice I didn’t recognise. Here, she was speaking and thinking in her own language, fluent and insightful: not the broken English of my childhood.

St Lorenzo

Until then, I’d had no idea of her life before her arrival in Australia, and how she’d felt later as a wife and mother in a strange land.

I hadn’t known that she had been engaged to another man before she met my grandfather Gaetano – and that neither was her true love. Her father had insisted that she marry Gaetano, as he was from the same village and known to the family.

‘To tell you the truth, I wasn’t really in love with any of them, because I was very much in love with a young man whom I’ll never forget as long as I live, ‘ she told the interviewer. ‘Isn’t it stupid speaking like this at my age – 80 years old, too!’

While my memoir, CLEAVED, is about family estrangement and growing up with Milroy’s Disease, a form of lymphoedema, it’s also an immigrant story, revealing the effect of that immigration on my grandparents and subsequent generations.

Understanding my Italian family’s immigration story, changed my understanding of my own story.

If you live in Melbourne and are interested in family history and memoir writing, you are warmly invited to join me on June 24 at the Society where I’ll be discussing what I discovered from this document, and how this informed my memoir CLEAVED.

Book here: https://www.coasit.com.au/events/events-archive/1073-book-presentation-cleaved-by-jane-cafarella

My paternal grandmother, Nana Cafarella, (Angelina Taranto) as I knew her, and whose voice spoke to me from the past in a translation of an interview conducted with her in September 1983 by Maria Tence for the Italian Historical Society in Carlton, Victoria.

How to write your memoir – and why you should

Are you an older woman with a fabulous story?

Are you considering writing a memoir but don’t know where to start?

Start here – with my FREE guide How to Write Your Memoir – And Why You Should.

The 60-page guide is an expanded version of a Zoom talk I gave to the Society of Women Writers, on 23 February 2025, based on my experience writing my own memoir, CLEAVED – A story of loss, legs and finding family.

The talk was part of the Society’s fabulous three-day festival, titled For the Love of Writing.

There are many wonderful memoir-writing resources on the internet, but it takes time and energy to find them.

There are also many expert and helpful courses available. This guide is for those who can’t afford them or are still considering whether to invest in one.

The guide includes:

  • Links to useful resources
  • Writing tips
  • Advice on editing and publication’
  • Fun exercises to get your started
  • The benefit of learning from an experienced memoir writer

History, as we know, has mostly been written by men, who have made themselves the protagonists of most of the world’s significant events.

Women, if mentioned at all, are minor characters.

Memoir is an opportunity for women to take centre stage: for their voices and stories to be heard at last.

Whether you want to write your story for family and friends, or you plan to pursue publication, writing about your life can be hugely challenging – and immensely satisfying.

However, writing can be a lonely task, and writing memoir can be especially emotionally stressful, so if you do decide to have a go, I highly recommend joining a group of supportive fellow writers, such as those at the Society. https://www.swwvic.org.au/about-us/

The Society recently celebrated its 50th anniversary with the publication of its history, Write On!

If you find this guide, useful, please let me know: jane.cafarella@janecafarella

If you’d like to make a donation to support the free resources on this website please click here.

The joy of collaboration. Collaborate with me!

Watch Toni Brooks, in London, perform Peachy, a 90-second monologue available on this site. Thank you very much Toni, for posting this wonderful performance of Peachy on your Spotlight profile page.

Creativity is alive and well in many places around the world, despite the current political turmoil.

As has happened throughout history, in difficult times, people turn to the arts for solace and inspiration.

As a writer, it’s the way I make sense of the world – which is always much more fun when you are collaborating with fellow artists.

Since I made my short plays and monologues free just over two years ago, I’ve had the privilege of  hearing from and working with artists in 130 locations around the world – mostly the USA, UK, Canada, New Zealand and Australia.

I’m especially grateful to all the artists – directors, actors and other creatives  – who are currently using my plays and monologues to create their own shows, or for auditions, reels and showcases.

It always amazes me to hear how artists add their skills and ideas to create something special and new – such as the brand new show A Stitch in Time, created by USA director Theresa Puskar for the Theater of Western Springs in Chicago for the Director’s Spring Workshop.

The show will premiere this weekend (28-30 March 2025) at the TWS Cattell Theatre, with shows on Friday and Saturday at 8pm, at 2.30pm and 7.30pm on Sunday.

For reservations:

A Stitch in Time Monologue show in Chicago, USA

The show features 12 of my monologues in a show that celebrates the experiences of women at all stages of life.

It’s been very exciting working via Zoom with Theresa, an experienced director, and meeting the talented and dedicated cast.

I’ve produced shows myself, so I know how work and courage goes into them. I’m also very excited to have a show at the Theater of Western Springs, which is highly respected.

At the same time, I’ve been lucky enough to work with Chris Hicks and her enthusiastic team of actors, The Narrators, more than 1000 miles (nearly 2000 km) south of Western Springs, Chicago, at Central Florida Community Arts in Orlando, Florida. 

Chris and The Narrators, will also present a new show – On the Fly – Adventures in the Unknown – on April 5 2025, comprising improv/monologues and short plays, featuring five of my monologues, including Flowers, Quite a Sensation, Just a Minute and Taking the Plunge, written especially for this show. Many thanks to Sara Breitfelder for the fabulous photos.

https://cfcarts.com/series/on-the-fly-adventures-in-the-unknown/

Working with Theresa and Chris has been a highlight of my year so far – along with receiving a video of a beautiful interpretation of my monologue Sweet Bird of Youth from USA actor in Amsterdam Sabrina Culver.  (See video below) along with the video (above) from London actress Toni Brooks of her wonderful performance of my monologue Peachy.

https://www.imdb.com/name/nm0191747/?ref_=ls_t_1

It’s been a busy start to the year, with lots of projects, including the 11th production of my most popular 10-minute play Members Only, and the seventh production of my one-act comedy Supersnout.

Here’s the full list of this year’s projects so far:

Current projects

Western Springs, Chicago, The Theatre of Western Springs, presents the premiere of A Stitch in Time, featuring 12 monologues, directed by Theresa Puskar.

https://theatreofwesternsprings.com/on-stage/17270/

Orlando, Florida USA, Central Florida Community Arts, The Narrators present On the Fly – Adventures in the Unknown on April 5 2025, comprising improv/monologues and short plays, and featuring five monologues, including Taking the Plunge, Flowers, Quite a Sensation and Just a Minute – April 5 2025

https://cfcarts.com/series/on-the-fly-adventures-in-the-unknown/

Bingara, NSW: North West Theatre Company performs Supersnout, a one-act comedy about a talking dog,  19-27 April, Roxy Theatre, Maitland St, Bingara, NSW.

https://www.trybooking.com/events/landing/1349196

Connecticut, USA: Theatre 308, Darien High School presents Oliver With a Twist, 10-mintue Dickens-inspired sizzling satire about our modern food culture, in May (date TBA). https://www.theatre308.org/aboutus

Salem, Oregon, North Salem High School presents  Members Only, about a woman (recently deceased) who arrives at the Pearly Gates without the password with three performances in April (date TBA). 

The photo above is of the performance of Members Only  at Virginia Wesleyan University in the USA, directed by Erin Andrews, with Julia Logue playing Karen, Pauly Bolt playing the Concierge, and Lucas Gordon (not pictured) playing Gabriel.

Thank you so much for making your work available. It was a gift that kept on giving’ – Erin Andrews.
 

https://north.salkeiz.k12.or.us/academics/performing-arts

Amsterdam, Netherlands, USA actress Sabrina Culver, performed and recorded Sweet Bird of Youth, a poem/monologue about ageing.

https://www.instagram.com/p/DHElZbLIU36/?hl=en

London, UK, actress Toni Brooks recorded Peachy, a monologue about a woman who refuses to leave her marriage.

https://app.spotlight.com/6775-9088-7507

There are also many  actresses currently using individual monologues for auditions, reels and showcases in various locations around the world, including an audition for the London Academy of Music and Dramatic Art (LAMDA).

Amy Martin Cole as the Writer and Jeff Milligan as the Friend in Just a Minute

More than 60 FREE monologues

I hope this will encourage and inspire you to have a rummage through my site.

If you’re an older female actor or a young emerging actor, you’ll find more than 60 contemporary and relevant monologues. If you’re a young theatre major or director, you’ll find lots of short FREE short plays. 

Most of the monologues on this site are stand-alone monologues, with a few from my published plays e-baby, d-baby and Uked! The first play along musical, featuring strong roles for women of all ages, with a particular focus on older women.

My aim is to encourage female actors of all ages who are emerging or re-emerging and who want monologues that reflect their own life experiences.

As Chris Hicks said when she first contacted me:

“I am always looking for material that respects our age and experiences. I’m so tired of ‘cute’ plays that take place in nursing homes, featuring at least 10 jokes about incontinence and not driving at night. Thanks for writing for who we really are.”

Check out the monologues here.

The monologues are available for use for FREE on the condition that I am credited in full, there are no edits without my permission, and that you email me at jane.cafarella@gmail.com to let me know your location how and when they’ll be used, and provide any photos and feedback about your performance, where possible.

Your feedback helps me to improve my work and lets me know which monologues resonate the most. 

To celebrate a great start to the year, here are three new monologues to add to the collection. Please let me know what you think!

While I believe all artists should be paid for their work, I have other work that is licensed with agents and for which I receive royalties, and so can afford to make these shorter works available for free as a service to women just like you.

I’m also available to write something especially for you if you can’t find something here.

I keep a little pinmap to keep track of where my work goes

Should you pay for your self-published book to be reviewed? I did, and got three five-star reviews

Jane Cafarella’s writing radiates warmth and sincerity, and it’s very welcoming. Readers will feel connected from the beginning – as if the story is being shared over a coffee.Carol Thompson for Readers’ Favourite

Cafarella’s writing is humbling and fearless…Fans of heartfelt memoirs will fall in love with this must-read from the very first page. – Makeda Cummings for Readers’ Favourite

poignant and inspirational. …a must-read for readers looking for fortitude to overcome their deep-seated trauma and move out of the darkness into the light. – Richard Prause for Readers’ Favourite

Read the full reviews here:

https://readersfavorite.com/book-review/cleaved

I am thrilled to have received three five-star reviews from Readers’ Favourite – an international book review company especially for self-published authors.

I’ve been very fortunate to receive lots of unsolicited spontaneous reviews from readers via email and Facebook, but this is the first time I’ve actively sought a review from a review company – and paid for it.

So why pay? And are paid reviews legitimate?

More than a million self-published books arrive on the market each year, with a plethora of companies to service them, providing everything from editing and book-cover design to full publishing services.

But the biggest problems for all self-published authors are marketing, distribution and exposure.

Few bookshops will take self-published books, as without the professional services of a traditional publishing company, the perception is that quality is not always guaranteed.

And self-published books are seldom reviewed in the traditional media.

These makes self-published authors vulnerable to scams and vanity schemes offering reviews and awards.

So what should you look for when considering a review service?

I looked at how long the company had been offering the service, author reviews, whether the company was endorsed by others in the industry and an accredited business, and what other services it offered to help market the review.

I also considered the price. Some services, such as Kirkus reviews (established in 1933), offer reviews by professionals, such as librarians and nationally published journalists – but at a higher price, starting at $450.

I considered various companies, including Kirkus, and Literary Titan, which offers one review for $59USD, five for $275 and 10 for $550, and which had many positive reviews from happy authors.

In the end I chose Readers Favourite because it is well established (17 years), is endorsed by traditional publishing companies, and primarily offers free reviews.

Reviewers are volunteers, but a small monetary “gift” is paid for “express reviews”. The paid reviews start at one for $59USD, three for $129 and five for $199.

I opted for the package that offered three reviews for $129USD, as I felt three reviews would be a better test of both my book and the service. I was curious to see what independent reviewers in a completely different market from Australia might say. This option also allowed me to enter the RF 2025 book award into two categories for free.

Of course, there is the question of whether reviewers who are paid even a small amount might feel more inclined to say something positive, but I was reassured by the fact that while the company only posts reviews from books that receive four or five-star reviews, that doesn’t mean a four or five-star review is guaranteed.

As it says on its website, if you receive a poor review, the reviewer will point out the problems to help you improve it. Authors can then resubmit the revised version for another free review.

You also get to review the reviewers, to ensure the review you receive is accurate. You can also read their bios. All are required to write well, and to provide a description of the plot, as well as a critique. Most are ordinary people from all walks of life who love to read, which in my view is the perfect reviewer, as it’s ordinary people who will be picking up your book in a bookshop.

The other attraction for me was that RF creates a “review page” for you on its site and on social media, broadening your exposure.

I found the service prompt and professional and the reviews thoughtful and insightful – even if the superlatives did make me blush and wonder why I hadn’t won the Pulitzer!! And, as you can see, they also provide digital award stickers for those who receive five-star reviews. (Authors can purchase print stickers).

Who knows whether this translates into sales?

That would be nice, but the benefit of a using a review service is not just in the possibility of finding another market for your book: it’s in the value of having an independent reader, who doesn’t know you, giving honest feedback – and, as an author, discovering whether your intention regarding the story you wanted to tell was realised.

Want to read CLEAVED? More information and purchasing options here:

Have you paid for a review? Comment here to share your experience.

Want to know more about me and how I wrote my memoir, CLEAVED? If you’re in Ballarat, Victoria, on Tuesday 18 February please join me at 6pm at the Ballarat Mechanics Institute (BMI), in conversation with Alisoun Downing for Northern Books. Can’t make it to Ballarat? Invite me to your book group or social group.